Washtub Bass

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Washtub Bass


History



Ethnomusicologists trace the origins of the instrument to the 'ground harp' - a edition that utilizes a piece of bark or an animal skin stretched more than a pit as a resonator. The ang-bindi produced by the Baka folks of the Congo is but 1 case in point of this instrument discovered among tribal societies in Africa and Southeast Asia, and it lends its title to the generic term inbindi for all relevant instruments. Evolution of design and style, like the use of far more transportable resonators, has led to a lot of variations, this sort of as the dan bau (Vietnam) and gopichand (India), and a lot more recently, the "electric one-string", which amplifies the audio making use of a pickup.



The washtub bass is occasionally employed in a jug band, usually accompanied by a washboard as a percussion instrument. Jug bands, initial recognized as "spasm bands", were well-liked specifically amid African-People in america around 1900 in New Orleans and attained a height of acceptance between 1925 and 1935 in Memphis and Louisville.



At about the same time, European-People in america of Appalachia had been using the instrument in "outdated-timey" folk audio. A musical type identified as "gut-bucket blues" arrived out of the jug band scene, and was cited by Sam Phillips of Sun Records as the type of new music he was seeking when he 1st recorded Elvis Presley.



In English skiffle bands and Australian and New Zealand bush bands, the very same type of bass has a tea chest as a resonator. Prior to the Beatles, John Lennon and Paul McCartney's band, The Quarrymen, featured a tea-chest bass, as did many young bands about 1956.


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A people audio revival in the U.S. in the early 1960s re-ignited curiosity in the washtub bass and jug band music. Bands incorporated Mom McCree's Uptown Jug Champions which later became The Grateful Dead, and, the Jim Kweskin Jug Band featuring Fritz Richmond on bass.



People



Fritz Richmond (1939-2005) has executed on numerous recordings from America and Japan. A single of his washtub basses is in the assortment of the Smithsonian Establishment.



Brian Ritchie, of the band The Violent Femmes, plays a 'tubless electric washtub bass'.



Les Claypool, of Primus, frequently plays a variation named a whamola.



Tea Chest Bass



Tea chest bass



A tea chest bass is a variation of the washtub bass that employs a tea chest as the resonator for an upright stringed bass. The instrument is produced from a pole, usually a broomstick, placed into or alongside the chest. 1 or much more strings are stretched along the pole and plucked.



In Europe, specifically England and Germany, the instrument is linked with skiffle bands. In Australia it was historically utilised to present deep seems for "bush bands", although most such teams today use electric bass or double bass. It was frequently called a "bush bass".



Other versions



Other variations on the fundamental design and style are located all around the world, specifically in the selection of resonator, including the



"fuel-tank bass,"



"barrel bass,"



"box bass" (Trinidad),



"bush bass" (Australia),



"babatoni" (South Africa),



"dan bau" (Vietnam),



"sanduku" (Zanzibar),



"tingotalango" (Cuba),



"tuln" (Italy),



...and other people.



The ang-bindi made by the Baka men and women of the Congo is but 1 case in point of a conventional model of the instrument located amongst tribal societies in Africa and Southeast Asia, and it lends its name to the generic phrase inbindi for all associated instruments.



Exterior back links



The Washtub Bass Page



How to Develop and Play the Washtub Bass



Makers of bucket bass in London



Inbindis About the World - connected instruments outdated and new.



Groups Bass monochords | Steady pitch instruments | Contrabass instruments | Bass (audio) | Skiffle

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